Have you heard of the 100daysproject? There are 2 simple rules;
#1 Repeat a simple creative task everyday for the duration,
#2 Record each day’s efforts.
This is my fourth year doing the hundred days project and each one has taught me so much. I first heard about the 100 days after reading The Crossroads of Should and Must: Find and Follow Your Passion by Elle Luna. From a young age, I have always loved doing art and have managed to keep it sacred—something I do for myself. It is for pure pleasure and processing thoughts and feelings.
One day my daughter had a new pal around and she was proudly showing her all of my artwork and her friend thought they were amazing and asked if I was an artist. My daughter looked at me and I didn’t know how to respond. I mulled this over and realised I would like to explore this further and would commit to the 100daysproject to see how I felt after 100 days of creativity about calling myself an artist.
So I began, one pen drawing a day. No pencils, as I wanted to learn that mistakes didn’t matter. It was great, each week brought more confidence and doing it with others really helped me be accountable. It wasn’t linear—there were moments when my confidence dipped and I would want to make excuses to stop. I had to wiggle my way through finding my own practice, not care what other’s thought but also be fuelled by the community and public sharing. Within the small group of 100daysproject through Tribe Porty, we encouraged each other and on the days I didn’t feel like making the effort, I showed up for them. It quickly became something I looked forward doing at the end of the night.
The practice became a meditative ritual and also led me to find the local community in 100 Days Project Scotland.
Now reaching the end of this year, it has been once again, transformational.
By the end of the 100 days, I called myself an artist. I maintained that art was for myself and no anyone else but the encouragement was also welcomed. it felt good and I was hooked.
This time I tightened my brief a bit. Again using pen but stuck to portraits and played more with lines. I really enjoyed the therapeutic benefits of drawing so many lines. By the end of the second 100 days, I was confident enough to do even paint a large mural. Here are some drawings and a picture of part of the mural. One drawing also ended up as a tattoo on my arm.
This year was different because I started experimenting with drawing on the ipad, something I never thought I would like but I do and in love with quite quickly.
I set myself a goal to get some printed and even went on to create Capturing Dani a website and shop with prints and postcards. I received commissions and now draw illustrations more than on paper.
This year I decided to combine the creative process with gratitude and would draw a part of my body and give thanks. After almost two years of chronic pain, multiple exploratory procedures and fatigue. Every day has been a surprise- nothing has been planned and I have changed the way I see myself.
Just over halfway through, something changed how I looked at myself. I found a new level of acceptance of the good and of the imperfections. I looked at myself the way I would look at a body in a live drawing class. Admiring the curves and not viewing with critical eyes.
Tribe is slowly picking back up and gaining new members; more and more people are needing community and a creative space now more than ever. It has been such a long time for so many of us who have been cooped up in a small flat or sharing a kitchen table with a partner. Taking never ending zoom calls and not seeing another human in the flesh has taken its toll-not only on our wellbeing but on our creativity and productivity.
Over the years, many people have asked advice about how to turn their extra space into a coworking space. Beyond the basics, desks, seating, good wifi- the community part is an art. The people are what makes spaces special. And the people part is the hard work. We are all different, with different needs. One of our hot deskers was telling me the other day that he comes to Tribe because it taps into the creative work. He has structured his working week in such a way that he does his creative thinking work from Tribe because the space and the people in the space encourage that kind of work. This is such music to my ears as this is what we set out to create with Tribe.
There is no shortage of designer spaces to work from around the globe.
A few folk have made some assumptions that coworking spaces will be exploding in the near future. We have certainly seen a new group of members, not just freelancers but people unable to do their work from home for practical or emotional reasons. The pandemic has forced us to change our model and reduce the size of our event space due to no events taking place for so long. This is true for many other coworking spaces as well. According to Deskmag’s 2020 Coworking Trends Europe, “While the supply is often shaped by the demand, this is less the case during this pandemic. Example: Legal measures such as distancing rules often have shrunk the desk capacity, especially in open workspaces. The prohibition of physical events have negatively impacted community oriented activities despite their demand.”
This has definitely been true for Tribe but the recent ease of lock down is building confidence for our members to return.
We will continue to adapt and respond to our community and challenge the definition of what workspace is, from where work is done to how it’s done, and then keep our spaces creative to reflect that.
“It is not the strongest of the species that survives, nor the most intelligent. It is the one that is the most adaptable to change.”
– Charles Darwin
If you have any questions or want to book a free trial day, please get in touch.